Barley Rain
The barley rain of the third month was falling, warm and
pleasant, on the burgeoning green wilderness of Seimei's garden. Hiromasa
watched it dreamily, remembering from time to time to take a sip from the cup
in his hand. Beside him Seimei sat at his ease in a white hunting robe, leaning
back against a pillar with his right leg up and his right arm resting on that
knee. The silence between them was broken only by the plash of the rain on
low-growing plants. A frog hopped out from the undergrowth and made its
ungainly way towards the verandah they were sitting on before vanishing out of
sight beneath it.
"Ahh," Hiromasa said, remembering something.
"Seimei, was that a frog just now?"
"What else?"
"I mean, was it just a frog?"
Seimei gave him a look. Hiromasa frowned as he felt his
face growing hot.
"I
mean, things in your house-- they aren't always what they seem."
"True."
"So-
was that just a frog?"
"Yes."
"Ahh.
Good." Hiromasa reached for the wine jar.
"Why
this sudden suspicion of my frogs?"
"I
think you already know," Hiromasa muttered.
"Fujiwara
no Tomoyori?"
"Mph."
"Ahh."
Fujiwara
no Tomoyori had taken to visiting a lady in the eastern part of the city. One
evening he'd just turned into her street when an old man suddenly appeared in
front of the carriage. The servants were startled as much by the extreme
ugliness of his appearance as by its unexpectedness. He was short of stature
and broad of chest, like a labourer or peasant. His features were flat and
coarse, his mouth was wide, and his staring eyes showed an unhealthy yellow in
their whites. But he was dressed in a magnificent hunting costume of green silk
and a black silk court cap, and he held a gilded fan in his stubby fingers.
This fan he snapped open in front of Tomoyori's ox, and in that instance it
stopped dead and could not be goaded to move another step.
"Fellow,
what does this mean!?" one of Tomoyori's retainers cried, making a
threatening gesture at the old man. The man gave a deep sniggering laugh and
darted away into the shadows, so swiftly that the servants were unable to see
where he had gone.
There
being no help for it, Tomoyori descended from the carriage to proceed on foot.
But when he reached the ox's side he found his way blocked as by an invisible
wall. He could not move a step forward. Greatly perturbed, but more angry than
fearful, he ordered his men to take the carriage back. The ox turned placidly
about when they pulled on its bridle and returned the way it had come without
difficulty.
At
the first cross-street Tomoyori had them turn right, and right again, intending
to approach the house from the opposite direction. But as he came down the
street, there again was the old man with the fan. The ox stopped once more and
no pushing or cajoling could make it move. Tomoyori bit his lips in vexation.
He
returned home and wrote a letter to the lady, with a poem attached. This he
sent by one of his pages and told him to explain to the household the strange
occurrence that prevented his master from arriving. But the boy was back within
the hour, nearly in tears. When he was within sight of the house he too had
found his way blocked by the invisible wall and himself unable to move an inch
forward. Letters came from the woman but there was no way for Tomoyori to
answer them: though he replied to each, his messengers were always unable to
reach her house.
At
last on the evening of the third day, Tomoyori's messenger found his way
unimpeded. No old man appeared, nothing hindered him from entering the gate. He
hastened to call to the servants within, only to be told that the lady, in
great dudgeon, had quitted the place earlier that afternoon and returned to her
parents' home in the countryside.
Tomoyori
was crushed by this event and took to his bed. A doctor was called in. When he
was told what had occasioned Tomoyori's collapse he consulted a certain diviner
that he knew. The man made his calculations and told Tomoyori that the cause of
his ill-luck lay in the south-east portion of his estate.
That
area had been an uncultivated wilderness of grasses and trees until just
lately, when Tomoyori caused a landscaped garden to be built around the small
pond there. The garden was enclosed all about with rustic fences, following the
lines of the poem about 'My eastern cottage within the brush-wood fence.'
Tomoyori's servants could find nothing amiss within the garden itself, but in
the long grass outside they noted an unusual number of frogs behaving in a
strange and distracted fashion, hopping hither and thither without purpose. A
gardener said that the frogs used to spawn in the pond in the spring but now
their passage was blocked by the fence and they could not find a way through.
The diviner declared that it was their resentment at finding their desires
balked that led to the retribution Tomoyori experienced.
"It's a little hard on Tomoyori," Hiromasa said,
"that simple thoughtlessness should have such a dire result."
"Dire? How so? There are other women in the capital
for Tomoyori to pay court to, but the frogs had no other pond to spawn
in."
"But he was most attached to the lady," Hiromasa
protested.
"Though not attached enough to follow after her to
her parents' house."
"Well, of course not! That would mean leaving the capital."
Seimei gave him a sardonic smile. Hiromasa flushed. He
reached for the sake bottle and poured himself another cup.
"Naa, Seimei," he said when he'd taken a few
sips and felt his spirits somewhat more composed, "maybe Tomoyori was
somewhat to blame, but still. If spirits are always this vengeful, a man has to
be constantly be on his guard not to offend them. Think how much work that
involves."
"No more work than not giving offence at court,
surely?"
"That's what I mean."
"What, you find that so difficult?" Seimei
looked amused. "You watch your every word, you wait for others to speak
first, you always agree with their opinions--"
"Of course not!"
"And do people like you the less for it?"
"Ahh-" Hiromasa blinked. "Well, but I'm
sure they make fun of me for it, just as you do," and he scowled at
Seimei.
"If others laugh at you it's because of your virtues,
not your failings- because of your honesty and straightforward nature."
"You can call them virtues, but what you really mean
is that I'm too stupid to know better," Hiromasa growled
"No, no. Openness of spirit isn't something a
courtier can easily afford, much less someone in my trade. We're probably a
little envious. Don't mind if you get laughed at a little for your bluntness.
There's no malice in it."
"Hmph. Easily said when it's not you. There's no
malice in the tricks of mischievous children either, but look at the bother
they cause."
Seimei sat upright. "Hiromasa!"
"What? Seimei, what is it?!"
"Hiromasa." Seimei was staring at him wide-eyed.
He blinked and then smiled. "Hiromasa, you're amazing."
"There you go again, laughing at me."
"I'm not. You're truly invaluable. Here I am puzzling
my head over a problem and you dispel my darkness with a single word."
"What's that supposed to mean?" Hiromasa
grunted, unappeased.
"Ahh.
Come with me tonight and you'll see."
"Where to?"
"The house of Minamoto no Fusahide."
Hiromasa jumped. He looked up at Seimei, white-eyed.
"The junior third captain? The one who--?"
"Yes. The one who's had a youkai haunting his estate,
wandering about the garden and peering in at the porch."
Hiromasa took a nervous gulp of sake. "I hear it has
yellow eyes as big as cartwheels."
"That's
certainly what the maidservants said. It comes up and chitters at them in their
rooms. Since it can't use human speech there's no telling what it wants. A
problem."
"And you're going to exorcise it?"
"I shall attempt to restore some order to Fusahide's mansion,
certainly, and I think you've shown me the way. Will you come with me?"
"To battle a monster with eyes like cartwheels?"
"I doubt you'll be required to do anything quite so
strenuous."
"Yes, well--"
"Will you come?"
"Mnnn."
"Will you come, Hiromasa?"
Hiromasa sighed. "I'll come."
"Then let's be on our way."
The rain ended while they were travelling to Minamoto no
Fusahide's house and a watery sun appeared, a round disc low in the sky.
Fusahide greeted them with effusive relief and led them onto the open verandah.
"I was afraid you wouldn't arrive until after sunset.
Please excuse the state of the place. I've had to send the women over to my
wife's house, so the service is almost non-existent. But is there anything I
can get you--?"
"Why yes," Seimei said. "A kemari ball. You
do play, don't you? I see you have a proper kemari pitch out in the
garden," and he nodded towards the four trees that marked the corners of
the square playing field.
Fusahide blinked. "Yes-- yes I do. But why--" Seimei
smiled at him and the bewildered Fusahide turned to give orders to a manservant
within the house. Meanwhile Seimei wandered over to the verandah's edge and
stood observing the garden's landscaped effects with approval.
"Seimei," Hiromasa whispered, joining him,
"what are you going to do with a kemari ball?"
"Play kemari. You're welcome to join me, of course.
It's a bit strenuous playing alone."
"But we're not dressed for it."
"That hardly matters. This is just a friendly game
among ourselves."
The servingman returned with the deerskin ball.
"Will you join us in the bout, Fusahide-dono?"
Seimei invited.
"If you like. But-- excuse me, Seimei-dono, but what
has this to do with the youkai?"
"You'll see."
The
three of them descended into the area marked by the cherry, maple, willow and
pine tree. Fusahide kicked the ball into the air, once, twice, and the third
time passed it to Hiromasa. He in turn kicked it over to Seimei. It was
difficult with only three players but they managed to keep the ball from
touching the ground. Hiromasa and Fusahide did most of the work, since Seimei
was evidently not experienced in the game. Of necessity Hiromasa's attention
became focussed on the location of the ball, which became harder to see as the
daylight faded and was replaced by uncertain torchlight held by the serving
men. He had eyes for nothing else until an odd sound came from close by, like
the cooing of a pigeon, only louder.
"Baww-
baww-"
Fusahide
gave a cry and pointed beyond the cherry tree a few metres away. Hiromasa
looked over and froze.
"Seimei-!!
A tanuki!"
Dim
in the gloom a round furry shape, as high as a man's chest, was ambling
awkwardly across the grass towards them.
"Not
quite," Seimei said, unperturbed. "Look closer." The thing had come
into the light of the pitch. Hiromasa watched its approach with a mouth gone
oddly dry. There were the great round eyes, yellow and bright, but not, thank
heaven, as large as cartwheels. The face below, he now saw, was hairless,
marked by a small flat nose and a wide flat mouth. The fur of the body was
smooth and yellowish, not a badger's brindled coat. A monkey. Some kind of
monkey spirit. Hiromasa felt momentarily relieved. Only a monkey. But then he
remembered Fujiwara no Tomoyori. That had been only a frog. And even ordinary
monkeys could make mischief enough, and this one was so big...
The
monkey-thing stopped and bounced a little up and down, clumsy on its short
legs. "Baww- baww-" it said in its high-pitched cooing voice.
"Hiromasa,"
Seimei's voice came. Hiromasa turned distracted eyes on him. "Shall we
continue? I believe it wants to play with us."
Moving
stiffly, Hiromasa picked up the kemari ball from where it had fallen and kicked
it towards the yellow monkey. It stuck out an awkward leg and sent it to
Fusahide. Fusahide kicked it a few times to gain control and sent it to Seimei.
But at this the monkey waved its arms about in distress and cried, "Baww!
Baww!" in an agitated tone. Seimei kicked the ball to the youkai, who sent
it to Hiromasa.
"Kick
it back to the youkai," Seimei said in a low voice. "This isn't
kemari that it's playing."
And
so the game went. The monkey kicked to one of them, jumping up and down in
delight and clapping its paws together as the ball went through the air. They
kicked back and it gurgled happily as it ran to intercept. "Rara baww.
Rara baww."
It
was coming on full dark and Hiromasa was sweating heavily from the exercise. Seimei,
just how long is this going on? And then the monkey kicked the ball to
Seimei, who caught it in his hands instead.
The
monkey made a disappointed noise. "Aww...."
Seimei
smiled, and spoke:
Down
the western sky
The
sun makes its tired way.
Darkness
comes to earth.
Friends
too say farewell and go
To
where dark sleep awaits.
"Aww..."
The monkey hung its head, shoulders slumping. Hiromasa blinked in shock. It had
a horn in the middle of its head, golden and twisted as a kirin's. *Was* it a
monkey, then? Or was it....
"Bawww..."
the thing said sadly.
Seimei
went over to it and put the kemari ball in its hands.
"Baww!"
it said, and smiled into Seimei's face. Seimei nodded smiling back. The youkai
turned and pattered away towards the trees, cooing "Rara baww rara baww"
as it went. Somewhere just past the cherry tree both shape and voice disappeared.
Hiromasa looked at the spot where the thing had vanished. His chest still
heaved and sweat trickled down from under his cap in the humid night.
After
a moment Fusahide whispered, "Is it gone? For good?"
"Ssh."
Seimei's dancing eyes were watching the tree. Silence. Then a giggle. The
youkai appeared again from behind the trunk, smiling happily with the kemari
ball in its arms.
"Uh-oh!!"
it said.
Seimei
shook his head. "No, no," he said gently:
"Friends
too say farewell and go
To
where dark sleep awaits."
The
youkai shrugged in resignation. It raised one hand and flapped it in the air,
turned and disappeared.
"There,"
Seimei said. "It's gone, and only for the cost of a kemari ball."
"I-
I'm glad," Fusahide said. "But what did it want?"
"Someone
to play with," Seimei said. "It's just a child, after all."
MJJ
August- Sep '05
Note: Kemari is a form of
football played from Heian times onwards. It's sort of like hackysack, in that
the object is to keep the ball in the air. The ball is made of deerskin and
filled with sawdust, and consequently doesn't bounce. More information can be
found at http://www.footballnetwork.org/dev/historyoffootball/history2.asp